In this paper I will demonstrate why I believe, contrary to widespread opinion and possible nonetheless his own, that Aristophanes, non Euripides, was, of the four major dramatists fo Athens Golden Age, the one who least respected women. Having become aware at the ouset of this leterrature course of the region of women in the otherwise enlightened thought of Greece in the one-fifth Century B.C., I kept my eyes open during our life for evidences of, if I may comit an anchronism, chauvinism in the plays of Aeschylus, Sophocles and Euripides. Consoled by the knoledge presented in the text that Aristophanes had accused Euripides of hating women. I didnt look for it in Lysistrata. Nevertheless, that is where I found it. In interpreting attitudes toward women in the dramas, I accepts certain(p) oerriding tradtions as given and tried to give the playwrights the make of the doubt, go my head at such practices as development completely male actors in the plays and leaving the wom en in the kitchen patch tending the plays. Having concedes those plosive consonants, I set about listening to the playwrights. In Agamemnon, Aeschylus addresses slightly remarks toward his Clytaemnestra which could possibly be interpreted as disparaging. She is tell to function like a man, and Cassandra exclaims, What outrage--the woman kills the man! The refrain asks her What covey her insane enough to kill a man.

Her lover, Aegisthus, although he gloats over the body he cringed from cutting down, allows that the treachery was the womans work, clearly. removed from slanderous women, however, I believe thes e parrotings of the prevailing attitudes, wh! en juxtaposed with Aeschylus word-painting of an intelligent, able Clytaemnestra, a gullible, ususpecting Agamemnon and a spineless, parasitical Aegisthus, achieve the end point of satirizing those attitudes. At the close of the play, Clytaemnestra challenges her... If you want to get a to the unspoilt essay, order it on our website:
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